Skip to main content

Cullen Omori – New Misery (2016)

Cullen Omori – New Misery
Image result for cullen omori new miseryImage result for cullen omori
When Smith Westerns announced in 2014 that they were going a “hiatus,” The modestly beloved indie rock band’s demise was written on the wall. After a year and a half of relative silence, lead singer Cullen Omori announced his first solo album while former guitarist Max Kakacek and drummer Julien Ehrlich formed a new band, Whitney. In typical fashion music criticism was forced to make a decision, “which of these artists embodied the critical appeal that resulted in Smith Westerns’ success?” When New Misery and Light Upon the Lake were released in the Spring of 2016, it was clear that Whitney’s new sunny California rock was the winner. Omori had continued in the Smith Westerns' fashion contributing an album of enormously catchy earworms with tasteful off-kilter panache. But unlike his previous work, this album is even stronger, the sound of a creative eschewing the weight holding him back and writing a would- be classic. The songs are clearer, softer and more easily digestible. Tracks like “Two Kinds” and “Cinnamon” are as catchy as any song Smith Westerns ever wrote and Omori carries with him a confidence only a more mature songwriter can extend to their audience. On its release New Misery didn’t make any waves, and to make matters worse, Whitney had been chosen as Chicago's new critical darlings, touring relentlessly behind Light Upon the Lake for the next three years. That album is great, but this one is too.
~8.5

Comments

Popular posts from this blog

Concert Review: Wilco at The Riviera Theatre, – 3/26/23

Wilco at The Riviera Theatre, – 3/26/23 Chicago’s Uptown neighborhood was once the center of the city’s booming entertainment district. Located at what had initially been the end of the L Train system, The Aragon Ballroom, Green Mill Jazz Club, and long-defunct Uptown Theatre quickly defined the corners of Broadway and Lawrence Avenue as the designated area for Chicagoans to congregate for the arts. As the area’s zeitgeist waivered though, the theatres grew into a weekend oasis of vibrancy amongst an otherwise casual and sleepy north-side neighborhood. Given Wilco’s consistent championing of Chicago’s local institutions, and another Uptown landmark Carol’s Pub in particular, The Rivera Theater seems like exactly the kind of venue for the band to host their latest three-night run and the start of their spring tour. Jeff Tweedy and company know the former movie palace well, playing there many times over the years and even using it as the base for a five-night series of performances b

Buck Meek – Haunted Mountain (2023)

Buck Meek – Haunted Mountain   Big Thief, one of the best and most adept bands of the 21 st century, has done more in six short years than most bands can squeeze out of an entire catalog. Each of their five studio albums has managed to expand their signature homespun charm into exciting, self-contained albums. The sound always moves forward but with distinct detours projecting their country-folk and singer-songwriter tendencies over disparate palates. The band’s prolificity extends to their solo catalog as well, the most notable inclusions naturally coming from lead singer and principal songwriter Adrianne Lenker. But behind her eclipsing generational talent, is guitarist Buck Meek, an artist who could easily shepherd his own headlining band if he needed to. Aside from some early, Big Thief-adjacent work, Meek’s true breakout was with 2021’s Two Saviors , a beautiful, alt-country collection of songs, most of which approached the quality, if not the scale of his mother band’s rel

Fever Ray - Radical Romantics (2023)

Fever Ray – Radical Romantics Karin Dreijer’s debut solo album Fever Ray came out only shortly after Silent Shout , an album that was almost immediately hailed as The Knife’s masterpiece. The inevitable comparisons seeped out, no one was completely ready to accept the more cavernous Fever Ray as any sort of a replacement for the lush maximalism of Dreijer and her brother’s The Knife. Regardless, Dreijer had proved how essential they were to that project and by 2014, the two had disbanded. Fever Ray’s next album Plunge continued Dreijer’s push towards empty space with an angrier and more overtly political edge and simultaneously built Fever Ray into a proper entity in its own right. Radical Romantics is a Fever Ray album in that its fixations swarm around Dreijer, all their proclivities, and all their vulnerabilities. It’s also the closest Fever Ray has ever sounded like The Knife, whether it be the soaring and anthemic “Shiver”, or the pronounced synths ripples on “New Utensi