Arlo Parks – Collapsed in Sunbeams
Arlo Parks may be only 20 years old but it’s already been two years since her debut single “Cola” began lighting up the wires of BBC radio programmers and booking agents across England. It didn’t take long for that enthusiasm to spread, by the time Parks had released two more EPs it was 2020 and she was embarking on her first European tour. The touring industry didn’t last long in 2020 however, and Parks was relegated to promoting her new album on late-night talk shows and through a steady release of more singles. Her debut, Collapsed In Sunbeams, ended up being pushed off until the beginning on 2021 while its anticipation mounted.
There are always musicians who seem destined to break onto
the scene with a critically lauded and commercial massive debut. Rarely does it
work out that way though. After a string of EPs and singles heralded as
intellectually distinct and poetic as pop music gets (whether or not that’s
true is a different story) it seemed that Parks was being set up to capitalize
on that success.
One thing is certain; the songs on Collapsed In Sunbeams are head and shoulders above her previous
work. Maybe it’s the assistance of Gianluca Buccellati who provided backing and
co-wrote the majority of tracks, he helps elevate Parks above the hushed work
she did previously into someone who could believably top a chart one day. Their
partnership defines Collapsed In Sunbeams,
albeit less as a mentor-protégée and more as an artist knowingly bringing in a
heavy hitter to build the sound she’s looking for.
Parks’ songs are sweet and relaxed but each flaunts its
strengths in order to come off as cool as Parks herself, working to build a vibe that blends itself unto a multitude of chill
scenarios. She always remains effortlessly approachable and unobjectionable,
someone who feels destined to be a safe bet for years of date nights and hip
family gatherings. But in that affability lays a banality, something that never
takes away from the songs individually but when lined up in a row is undeniable.
Without any inherent risk, the music lacks the effect it could have. Parks is often
limited to a truncated written performance, one that’s always on the brink of
being greater than it is, but never seems like more than words to accompany the
hooks.
Even while the depth on Collapsed
In Sunbeams can be frustrating, the choruses are as big as they come. Parks
has the utmost confidence, weaving her songs around their formulas and crafting
her earworms so they’re memorable even after the first listen. On one of the
more somber cuts, “Caroline”, a mellow trip-hop influenced backbeat thumps
along steadily through the entire track while Park's powers through each verse,
bridge, chorus, and breakdown like a machinist more than a singer, something it
takes pop singers years to master.
On another highlight, “Too Good” plays like a Lauryn Hill
track, wringing every drop out of each hook and similarly fixating on a single
driving beat until the entire song dissolves around it. Many of the other tracks
operate in the same way, pulling a single genre element to help diversify their
placement, whether it’s the chicken scratch guitar on “Just Go”, the
Portishead-influenced arrangement behind “For Violet” or the sample-heavy
aesthetic of “Blueish”. These choices work well for Parks, flowing into each
other and becoming cohesive almost to a fault. But importantly, each of these
decisions feel like one made by Parks, whether it be a nod towards her love of
hip-hop or her jazzy adlibs, something indelible to a proper debut.
Arlo Parks has emerged with an album that lives up to the
hype. Collapsed In Sunbeams could
have been a curated homerun for a musician at the height of their success, but
instead, it's Parks first foray into creating a single body of work, something
that evokes her strengths and her personality. While not as challenging or
interesting as it feels like it could be, especially when Parks flirts with a
boundary push on the final track “Portra 400”, her debut remains a stunning
exercise in self-fulfillment, and reason enough to expect a lot more talent
from Parks over the next few years.
~7.5
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